SCOTT WATERS | ROTOZERO
SATURDAY 12 JANUARY 2013 – SATURDAY 30 MARCH 2013

OPENING RECEPTION | FRIDAY 11 JANUARY 2013, 8:00PM – 10:00PM

Scott Waters: Contrails, 48″x72″, oil on canvas, 2012.

Throughout 2011 Scott Waters followed The Third Battalion of the Princess Patricia’s Canadian Light Infantry as they trained for and were deployed to Kabul, Afghanistan, for the start of Canada’s post-combat training mission in that country. ROTOZERO is a project created through the auspices of The Canadian Forces Artist Program, but whose central characteristic is one of contemplation.

ROTOZERO is less a document of a mission and more a consideration of how we recall and construct stories. Incorporating painting, photography, text panels, and found objects, it is an assemblage of tangible objects which act as proxy for the narrative drive a narrative drive which, in this case, is based on the anticipation, boredom, frustration, terror, and sense of expectation that are markers of the training mission to Afghanistan.

SCOTT WATERS received his BFA from The University of Victoria, his MFA from York University, and served as an Infantry soldier in the Canadian Forces. Recent solo exhibitions include Rodman Hall, The Art Gallery of South Western Manitoba, and The Alternator Gallery. Publications include the illustrated memoir, The Hero Book (Conundrum Press), the anthology, Embedded on the Homefront (Heritage House), with features in Border Crossings, Public, and Legion Magazine. A two-time participant in the Canadian Forces Artist Program, Waters has received funding from The Ontario Arts Council and The Canada Council for the Arts. He was recently awarded The Queen’s Diamond Jubilee Medal. Waters is represented by LE Gallery, Toronto.

Scott Waters would like to offer a heartfelt thank you to The Third Battalion of The Princess Patricia’s Canadian Light Infantry, especially Maj. Kevin Barry, Maj. Quentin Innis, CSM Rich Davey and Lt. Coady Summerfield. Without the battalion ROTOZERO would not exist. Without the help of these individuals, it would have been immeasurably inferior.

Read DAVID BALZERS Circles and Zeroes, an essay about SCOTT WATERS exhibition.

Scott Waters: ROTOZERO, 2013. Photo credit: Allan Kosmajac