Cheryl L’Hirondelle, Wintercount: Can’t Break Us, 2015. Video & Sound.
voz–voz / voice–voice
FRIDAY 18 SEPTEMBER- SATURDAY 05 DECEMBER 2015
Presented by e-fagia organization and YYZ Artists’ Outlet
Co-presented by imagineNATIVE Film + Media Arts Festival
Curated by Maria Alejandrina Coates and Julieta Maria
OPENING RECEPTION | FRIDAY 18 SEPTEMBER, 6:00PM-9:00PM
This exhibition presents seven inter-media art projects that have been adapted for display in an online publication platform produced by e-fagia organization. Both the exhibition and the publication bring into relief the embodied experiences of Indigenous people and non-Indigenous racialized im/migrants across the political and geographical borders of North America. In reference to the French expression vis–vis, meaning face to face or in relation to, the exhibition voz–voz/voice–voice provides a space for the articulation of different voices in the context of creative narratives and the frameworks enabled by new media and digital technologies.
In these artists’ projects, the relationships between land/geography and bodies are animated, while both technology and tradition materialize as ways of knowing that describe the histories of coloniality. At work is the refinement of a vocabulary of solidarity that articulates the complexities and contradictions of moving within a contemporary colonial landscape and the relationship between indigeneity and immigration in this region. The exhibition features artwork by micha crdenas, Tings Chak, Alexandra Gelis, Gita Hashemi, Cheryl L’Hirondelle, Julie Nagam, and Skawennati. The publication features texts by Lindsey Catherine Cornum, David Garneau, Francisco-Fernando Granados, Heather Hermant, Nasrin Himada, Tarah Hogue, Yaniya Lee, Jessica MacCormack, Farrah Miranda, Wanda Nanibush, Gregory Volk.
PROGRAMMING
Publication Launch: Friday 16 October, 2015 at 7:30pm
Featuring a special performance by Cheryl L’Hirondelle and Joseph Naytowhow as part of the imagineNATIVE Art Crawl, October 16, 2015, 5:00 8:30pm, 401 Richmond Building. Visit www.imaginenative.org for full details.
Performance by micha crdenas: October 8th, 2015 @ 6:30pm
“Lowriding as Indigenous Ontology” Workshop by Dylan A.T. Miner; October 23rd from 6:30-8:30pm, & October 24th from 10:00am- 2:00pm
Screening and Artist Talk by Skawennati: October 20th @ 6:00pm
Visit www.e-fagia.org for programming details.
Online publication at www.vozavoz.ca
MICHA CRDENAS is a performer, writer, student, educator, mixed-race trans-femme latina who works with movement as a technology of change. Cardenas is a Provost Fellow and PhD candidate in Media Arts + Practice (iMAP) at University of Southern California and a member of the art collective Electronic Disturbance Theater 2.0. Cardena’s individual and collaborative work has been presented in museums, galleries, biennials, and keynotes around the world. Her co-authored book The Transreal: Political Aesthetics of Crossing Realities was published by Atropos Press in 2012.
TINGS CHAK is a multidisciplinary artist and designer trained in architectural design whose work draws inspiration from anti-colonial, anti-racist, prison abolition, and spatial justice struggles. She is a migrant justice organizer and believes in the freedom to move, return, and stay for peoples here and everywhere. Her graphic novel, Undocumented: The Architecture of Migrant Detention (The Architecture Observer, 2014), explores the role and ethics of architectural design and representation in mass incarceration. She is also the recipient of the Power Corporation of Canada Award at the Canadian Centre of Architecture (2013), and the Kuwabara-Jackman Architecture Thesis Gold Medal (2014).
ALEXANDRA GELIS is a Colombian-Venezuelan, media artist based in Toronto with a background in visual arts. She is a PhD candidate in Environmental Studies at York University, and she also holds an MFA degree from the same university in Toronto, Canada. Gelis’ work addresses the use of the image in relation to displacement, landscape and politics beyond borders or culturally specific subjects. In her latest works she has expanded her practice using electronics and programming for interactivity. In her installation work she creates immersive sculptural spaces, using video projections and complex sound designs. Her work has been shown in several venues in Canada, Venezuela, Colombia, Panama, Argentina, and the United States.
GITA HASHEMI was born in Shiraz, Iran. She entered the School of Fine Arts at Tehran University in 1979 but was expelled at the time of Islamic Cultural Revolution. She continued her education at California State University at Northridge, and later at York University where she graduated with a Masters in Interdisciplinary Studies. She taught time-based art, (new) media and cultural studies at York and Ryerson Universities and University of Toronto, 1998-2009. She lives in Toronto, Canada. Hashemi’s transdisciplinary practice focuses on historical and contemporary issues. In 2013, her solo exhibitions included Time Lapsedat A Space Gallery in Toronto and The Idea of Freedomat MAI (Montral, arts interculturels), and she participated in The Third Spaceexhibition at Toronto’s Harbourfront Centre as part of Tirgan Festival of Iranian Art and Culture. Drawing on visual, media and performance strategies and using different techniques and technologies, she explores social relations and the interconnections of writing as embodied language with cultural imaginary and politics.
Acknowledgements
This exhibition and publication has been generously funded by the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council.
With special thanks to YYZ Artists’ Outlet and ImagineNATIVE Film Festival.
Online publication edited by Gina Badger, and e-fagia organization.
