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OPENING RECEPTION

DAVID COURT | CV
SATURDAY 16 SEPTEMBER- SATURDAY 02 DECEMBER 2017
ARTIST TALK | FRIDAY15 SEPTEMBER, 6:00PM

RAVEN CHACON | REPORT
Presented in partnership with imagineNATIVE Film & Media Arts Festival
SATURDAY 16 SEPTEMBER- SATURDAY 02 DECEMBER 2017
imagineNATIVE ART CRAWL | FRIDAY 20 OCTOBER 2017, 5:00PM-9:00PM
ARTIST TALK | FRIDAY 20 OCTOBER, 8:00PM

OPENING RECEPTION | FRIDAY 15 SEPTEMBER 2017, 6:00PM-9:00PM

DAVID COURT | CV

David Court’s work lacks a stable or reliable methodology, operating instead through responsiveness—to architectural contexts, curatorial frameworks, institutional protocols, and theoretical discourse. These considerations operate alongside a form of authorship that self-consciously seeks to address the dramas of the institution and practice of art, on the level of organization, narration and display. Scattered fragments of material (texts, images, and objects) are gathered into ambivalent and theatrical patterns of association, expression, and style. This work operates with and in the tension between the ethical demand of expression and the institutionalization of taste and sensibility, dwelling on various dysphoric affects of contemporary life—states of suspension, alienation, and impasse—as they manifest in artistic practice and material culture.

DAVID COURT is an artist and writer currently living and working in Ulster County, New York. He holds a Masters in Visual Studies from the University of Toronto (2009) and a BFA from NSCAD University (2006). Recent exhibitions include: Artist’s Rendering (Distressed, Relaxed), AxeNéo7, Gatineau, Quebec, 2017; You can tell that I’m alive and well because I weep continuously, The Knockdown Center, Queens, New York, 2017; Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, New York, 2016; Self-Titled (Materials for a 21st Century Room—or SWAMPED, EXHAUSTED, HESITATING), 8eleven, Toronto, Ontario, 2016; David Court, Aryen Hoekstra, Shane Krepakevich, Modern Fuel Artist Run Center, Kingston, Ontario, 2016.


RAVEN CHACON | REPORT
Presented in partnership with imagineNATIVE Film & Media Arts Festival

Originally trained as a classical composer, Raven Chacon works across a variety of mediums including installation, performance, video, and recording. The works in Report consider the outmost boundaries of an important parameter of sound: dynamics and volume.  The loudness of nature and of unorthodox instruments contrast against a landscape of silence, sometimes explained in a score of text, music notation, or other pictographic depictions.

Three places in the Southwest U.S. chosen for their quietness are presented as Field Recordings, further amplified to their maximum volume. While seemingly reduced to noise, the recordings reveal individual colors of the essence of each location.

Report is a musical composition scored for an ensemble playing various caliber firearms. The sonic potential of revolvers, handguns, rifles, and shotguns are utilized in a tuned cacophony of percussive blasts interspersed with voids of timed silence. In the piece, guns—instruments of violence, justice, defense, and power—are transformed into mechanisms for musical resistance.

RAVEN CHACON holds an MFA in Music Composition from CalArts. He is a composer of chamber music, a performer of experimental noise music, and an installation artist. He performs regularly as a solo artist as well as with numerous ensembles in the Southwest USA, and is also a member of the American Indian arts collective, Postcommodity. Chacon has presented his work in different contexts at Vancouver Art Gallery, ABC No Rio, REDCAT, La Biennale di Venezia – Biennale Musica, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center among other traditional and non-traditional venues. His work with Postcommodity recently exhibited at the 2017 Whitney Biennial and documenta 14. Chacon currently lives and works in Albuquerque, New Mexico.