Seripop by Emma Balkind
Looming. Defined as:
A shadowy form that is large and probably threatening.
An event, which is threatening to happen.
A (maybe) exaggerated, vague first vision of an object in darkness.
A distant dim reflection barely visible.
Origins in Low German or Dutch such as lomen – move slowly.
Or lemenbe weary.
Veils Can Be Lenses, Cocoons Homes by Rachel Anne Farquharson
Hanna Hur’s latest body of work is informedor compelled, ratherby the constraints illness has visited upon her. Durations of solitude and muscular atrophy, paired with intermittent losses of lucidity, act as a veil through which the artist squints at her new life.
Daniel Hutchinson’s Paintings for Electric Light by Patricia Ritacca
Upon walking into the small space that houses Daniel Hutchinson’s quietly dramatic exhibition Paintings for Electric Light, I took a moment to orient myself to the darkened room punctured by subtle glows; an electric light radiated in a palette that was seductive, trendy, and strangely nostalgic.
Representations: YYZ in the 80s
Representations: YYZ in the 80s is part of Virtual Museum of Canada (VMC), Community Memories program supported by Canadian Heritage.
Sally Spth and Nestor Krger: 9-10-0
EXHIBITION DATES
SATURDAY 15 JUNE 2013 – SATURDAY AUGUST 10 2013
OPENING RECEPTION
FRIDAY 14 JUNE 2013, 8:00PM -10:00PM
YYZBOOKS Lending Library Launch: Why Share Books?
YYZ Artists’ Outlet is excited to announce the launch of its very own Lending Library.
LENDING LIBRARY LAUNCH | WHY SHARE BOOKS?
WEDNESDAY 29 MAY 2013, 6:00PM-8:00PM
ADMISSION | FREE
Daniel Hutchinson: Paintings for Electric Light
EXHIBITION DATES
SATURDAY 11 MAY 2013 – SATURDAY 10 AUGUST 2013
OPENING RECEPTION
FRIDAY 10 MAY 2013, 8:00PM – 10:00PM
A Field Without Origin / Notes on Paintings for Electric Light by Craig Rodmore
These paintings, which are for coloured electric light, are not paintings of anything, and with the abandonment of the subject (architectural, natural) that had persisted in Hutchinson’s work until now, perspectival space within the painting is displaced by compositions based on an isometric grid whose size is determined by that of the brush that will be used.
Jean-François Côté: The Chorus
EXHIBITION DATES
SATURDAY 13 APRIL 2013 – SATURDAY 01 JUNE 2013
OPENING RECEPTION
SATURDAY 13 APRIL 2013, 1:00PM-5:00PM