Images courtesy of the artist. BEWARE To the Indigenous people that may experience this space, please take care of yourself. We never deserved any of the pain that was passed down through being intergenerational survivors of Residential Schools. STAY OUT is written primarily to…

Images courtesy of the artist. The three-body threshold or, Between the artists, the transcriber, and the viewer. By Brendan A. de Montigny   Technical Points of Entry = Between Time + Space (All our wonder, unavenged) Location / ~120,000 light-years wide spiral galaxy with a bar-shaped…

Image designed in collaboration with Jessica Negus. Image courtesy of the artist. I should begin by telling you that I won’t see it’s what’s inside that counts by Christine Negus in person. And from what Christine tells me, due to public health orders, vaccine supply…

  Images courtesy of the artist. Behind each fold and fringe is a flirtation – or is it a fabulation? Contours out of sight are shaped behind and within each form. There are folded and flat irregularly shaped panels. There are wig-like curtains. A fringe…

Pockets for air by Karina Irvine …there is some action of cutting through surfaces to a site that has no business being underneath. What is the future doing underneath the past? —Anne Carson, Cassandra Float Can The main characteristic of foam is that it is…

Yesterday Today Tomorrow by Steven Matijcio The institution of nation-states and their corresponding borders are as much a product of settlement, politics, colonization, conflicts, and treaties, as they are mythology, ideologies, and projection. Where lines are drawn and where citizenship begins, and ends, are human…

The Narrative and Repertoires of Resistance by Noor Bhangu These past decades, when reality and hope has become estranged for those blistering under the sun of the empire, many have found themselves turning to history to seek out narratives of resistance and survival. For Scheherazade,…

Tracing a line by Jenn Law “Where are we to put the limit between the body and the world, since the world is flesh?” ~Maurice Merleau-Ponty, The Visible and the Invisible, 1964   In many places, a rock with an unbroken line running through it…

Blue. Orange. Yellow. Line Scapes and Landscape. by Salvador Alanis In a recent interview, Galia Eibenschutz recounts the challenges she faced during her training as an artist. She belongs to an unusual generation of Mexican artists who emerged in the 90s, such as Damián Ortega,…

Structures for the Expanded Plane, 2019, c-print, dimensions variable. Image courtesy of the artist. Structures for the Expanded Plane by Emma Healy Chris Foster tells me about his favourite billboard. On a recent vacation, he and his partner, the artist Layne Hinton, were driving from…