Indeed, histories of sport contain numerous social, cultural, and political narratives, many of which tell important stories of place and place-making across the lands now known as Canada. Both within and outside of these borders, there has existed a very narrow story of Black baseball within the public imaginary, in which Toronto-based artist Jalani Morgan intervenes with his new exhibition at YYZ Artists’ Outlet.

It is useful to describe from the outset her way of working. After a period of conceptualizing often involving complex topological design, Deschamps initially makes models of her works with paper.

In the last few years, Court ‘s exhibitions have seemed to approach the question of responsiveness away from the presupposition that his role (and that of his collaborators) would be above all to “reveal,” once more, hidden meaning unspeakable by the institution hosting the work.

A strange phenomenon occurs when one can almost remember a memory, term, or detail, yet falls short as it barely escapes them. Concentration seems to grip the sand too tightly as whatever we hoped to recall slowly falls through our fingers. As an artist, Jen Aitken capitalizes on this sense of Presque-Vu, or almost seen.

Aiminanu. “A conversation is going on,” as it translates from Innu-aimun. Thus, the relationship develops through spoken language.

This Interview was conducted in the Mohawk language between between Karahkwenhawi (Zoe Leigh Hopkins) and Owennatekha (Brian Maracle) on September 9, 2016.

English translation provided by Karonhyawake (Jeff Doreen)

The graphs and diagrams quoted by Richard Ibghy and Marilou Lemmens in their exhibition Drawing Rainbows In Unequal Air engage with data as a processed image of social and economic relations.

Photographs and sculptures with a photographic charactereverything is made, and yet everything has an air of reproduction or reconstruction.