Indeed, histories of sport contain numerous social, cultural, and political narratives, many of which tell important stories of place and place-making across the lands now known as Canada. Both within and outside of these borders, there has existed a very narrow story of Black baseball within the public imaginary, in which Toronto-based artist Jalani Morgan intervenes with his new exhibition at YYZ Artists’ Outlet.

It is useful to describe from the outset her way of working. After a period of conceptualizing often involving complex topological design, Deschamps initially makes models of her works with paper.

In the last few years, Court ‘s exhibitions have seemed to approach the question of responsiveness away from the presupposition that his role (and that of his collaborators) would be above all to “reveal,” once more, hidden meaning unspeakable by the institution hosting the work.